Because I wasn't sure if the comment about that you like the inclusive part of that, because that's an option that's not here, but could be considered is that that one is it could be WAPO one color, it could be Chinese, another color, so that it's not all WAPO one qu one intersection, but it's actually a mixture of the cultures with also different colors.

So option not shown, but could be an option as well.

Does that make sense?

And I did understand it because I was not in these.

I just want to make yeah, I want to make sure maybe it was a combination of the two the two comments that I just want to clarify.

So right now option one is all the same.

Uh pattern pattern, different uh different color.

Okay, I just want to be sure I understood that.

So that's why I think it has unity as well as variety, which are two major concepts in visual design.

And every painter, no matter what painting your painting, has is working with variety and unity because you have to have both for to be successful.

If you go all the way towards one or all the way all the way towards the other, um, you know, it it it lacks an aesthetic quality and vibrancy to it.

So that's why I think option one does do that.

So yes, I did understand it was all Wappa.

Maybe it was clarifying for Julie, just to make sure.

I had a one question with it is um when you're putting uh a design into all four of those colors, does that design does that uh design actually from those countries use those colors?

They they're all do you know what I mean?

It's like if you're taking a Swiss design, do they do it in orange as well?

I always think of that as the blue.

Right.

So we did talk to Danielle, the artist about that because obviously these are based on textile patterns with cultural histories, and we wanted to honor that.

And um not always is the answer, but this is also you know, it's reinterpreted for Napa.

Um so the artist felt comfortable taking those liberties, if you will, with the colors, because especially if you're rotating through different colors, either having one bulbout that is um where the colors are inspired by the natural the traditional patterns, um, and then reinterpreting it in a Napa context in these colors is she she was okay with that.

She was good with it.

Yeah, I like I I mean, at first I was uh looking at one, but I I actually like three because I like those two colors together in that way where you get a little bit of variety, but you're still kind of in with some consistency and flow in there.

So I mean I would go I can see the benefit to either of those.

Yeah, because the colors like you said are somewhat in the same so you could still say, you know, this is the orange intersection to blue intersection or whatever.

I do like the idea.

Again, uh me, I like the idea of all Wapu, all Italian, all German, all whatever.

Uh but that's my I'm really not stuck to that anyway.

I uh yeah, every options are good here anyway.

Yeah.

So we're just gonna I'm a little bit stuck on having all the different cultures represented at each corner.

You know what I you know, I I don't know.

Some I didn't I guess I don't know.

But if they have to match uh the culture to its color, that's pretty important in my mind.

Yeah, yes, I understand.

Yeah, yeah.

I think part of my like idea that way too is you know, my family a lot of my family came from Brooklyn.

And Brooklyn did have all that stagn, you know, this is this, this is this, this and this.

And it was a negative thing to them, as it turned out, and so it took many years to over overcome that.

So I actually don't like the idea of all Germans in one corner, all WAPO in one place, whatever in another place.

I think that's the antithesis of inclusion.

So, um if I understand correctly, are you suggesting and like I'm maybe lost in the sauce here a little bit, but um with the three different options, like when it comes to like color scheme on each of the corners, um are you saying that color scheme and pattern, is it important to have those patterns evolve on each corner but retain a similar color, or are you I'm saying like the way I see it in the option one.

Um I'm looking at the option one, it has the pages.

It's the mul the multicolor at each corner.

It has multicolors, one pattern, but four Wappa is the one at the at that one street, but at the same time I'm looking at it from a painter's point of view, like an well, sculptures do it too, and printmakers or whatever is that um too much you have to have unity and you have to have variety, and you have to have both, and there's not a balance between unity and variety to me in the third one.

So I mean I'm not looking at it just because it's segmented.

I'm not looking at it just from the literary content, because as an artist, we're not just dealing with literary content, we're also do dealing with visual language, and and to me, the there's um unity in the project on all of them, but I mean in in one just that the same shapes are throughout is part of the unity.

Um just that we're representing different cultures, even if they're more than one at each corner, there's a unity in that.

And by having more um all the textures, then we're bringing in variety and the color changes, we're bringing in variety.

So I think it's a much more balanced project aesthetically from an aesthetic point of view, um, an artistic point of view.

With option one, I feel I feel like uh I do like it because it feels a little Mundarian-esque, so I tend I kind of like the idea, you know, of that of the uh that feeling.

Um so honestly, I'm I'm you know, I'm pretty open.

Um I do like the idea of uh or the same pattern in each corner or the same color, meaning pattern meaning German, WAPU, italian and so forth.

Italian?

Yeah.

Anyway, um, but I no, when you look at it option one, it there's something to it too, for sure.

I think it'd definitely be more vibrant.

I feel like it's more vibrant, and maybe more walkable in that regard, because when I was thinking about the structure of each intersection having a color scheme, in my mind, I was thinking as you're traversing in a car, it's going to be more progressive and you see these things kind of in sequence and it makes a lot of sense.

When you're walking and you see different textures and colors, I think it would definitely add vibrancy to the situation, you know.