Tue, Aug 19, 2025·Oakland, California·City Council

Oakland City Council Meeting 2025-08-19

Discussion Breakdown

Arts And Culture17%
Miscellaneous16%
Procedural14%
Environmental Protection13%
Public Safety13%
Waste Management10%
Economic Development4%
Immigrant Support4%
Community Engagement3%
Personnel Matters3%
Youth Programs1%
Racial Equity1%
Homelessness1%

Summary

Oakland City Council Meeting 2025-08-19

The meeting began with an introduction and a presentation about the Crucible, a nonprofit organization providing arts and industrial arts education in West Oakland. Mike Brown, a young volunteer and committee member, shared his experiences and the impact of the Crucible on his life. Various instructors and members of the Crucible discussed their programs and the importance of preserving industrial arts.

Oakland Police Commission Update

  • OPD reported on staffing, with 651 sworn officers filled out of 678 authorized positions.
  • IAB cases and other departmental statistics were discussed.
  • Commissioner questions focused on IAB case numbers, community policing, and interactions with ICE.

Public Comments & Testimony

  • Concerns were raised about OPD's budget, community policing, and the NSA reform implementation.
  • Speakers expressed the need for written policies on OPD's interaction with ICE.

CIPRA Report

  • CIPRA reported on their caseload, hiring progress, and transitioning IAB responsibilities.
  • The commission discussed sustained cases and administrative leave.

Ad Hoc Committee Updates

  • Various ad hoc committees reported on their activities and future plans.

Key Outcomes

  • The commission discussed future agenda items, including a community meeting on September 11th.

The meeting adjourned after discussing various agenda items and hearing public comments.

Meeting Transcript

It's someone who lives just down the street from us and he started off as being someone who was in our bicycle fix-athon getting his bicycle fixed and just sort of kept coming back almost every day asking what else is going on and so eventually we have him in a work study program now. I am pleased to introduce our VIP speaker Mike Brown, who is a dedicated volunteer and one of our youngest committee members. Mike lives across the street from the Crucible and goes to Lowell Middle School where he's an eighth grader. Mike supports our expanding bike program and works in the studio three days a week. As Mike will discuss, the Crucible classes offer more than skills. They've taught him to be brave and to be mature. Mike is the newest generation of artists to enrich our community, and I am so pleased to introduce him. Please welcome Mike Brown. What I like about the Crucible is that you get hands-on work with power tools in classes and you get to meet new friends. You get to learn from the crucibles, such as how to control fire, maturity, because if you're playing around flames that are uh 6,000 degrees Fahrenheit and higher, you can hurt yourself or someone else. In many ways, we're a growing program, and so we look at Mike Brown as a template for how we'll continue to grow the program. And I really see the youth program as a continuum of services throughout a young person's time. And so what's really exciting about Mike Brown is that we've seen the integration of young people into these classes and and really being excited about these classes. I've taken jewelry, I've taken wood, I've taken wood shop, um, I've taken three ARC welding classes, I've done two blacksmithing classes, I've done NIG welding, TIG welding, I've done the bike shop, I've done neon, flash flame working and glass fusion. But he's proud of himself, you know, coming here and learning things that seem dangerous, flames and hot furnaces, you know, blacksmithing and that kind of stuff, it's really intimidating when you're a kid. But when you master it, you know, uh, you feel a lot more confident um that you can pretty much find anything difficult. Just overcome your fears because there are people around you who are gonna keep you safe, make sure nothing happens, create a good environment for you. And then he's he's just this awesome, awesome guy now. Mom, if you think that it's a really good thing that I come here because like you learn new traits and everything, so like if you go out in the world, it's like you can you know get a really good job paying, you know, good money. And if somebody enjoyed it's like whenever I enjoy it sending my mom, she's always right behind me. To see uh Mike Brown with young people serving as an example and and being a young role model is just it's just really exciting and and it makes me really passionate about developing this program to make sure we continue to keep Mike Brown engaged when he's 16 and when he's 17 and then when we finally move him on to the adult program. If I wasn't working here at the crucible, I would probably be living with my dad in San Jose because it's like I enjoy living in Oakland with my mom. It's just that it's kind of dangerous because a lot of shooting and drug dealing and everything. Right now, if you look at the situation in West Oakland, twelve to seventeen-year-olds are really committing some of the most violent crimes, and I think what the crucible offers is an alternative to those things, and and maybe they're not the ones perpetuating it, but maybe they're the ones that are victimized by that. And so we just offer them a place where they can learn a skill, have some fun, and walk away with a new bike or maybe a new pendant or maybe a a letter opener from blacksmithing, so it's exciting, it's good. It's just good to know that you provide safe and alternative education. Seeing the the youth that comes in the door to create something, whether it's a pair of earrings or a pair of a bracelet or just hammering, just getting out the maybe their frustrations by doing things. I think it for the community it's just a play another place for people to be expressive in a very positive way. I would recommend this to other people because um it's fun and it's educational and it's uh it's a good experience because like you get to do things that you really don't really get to do with normally in life. Like, um, do you normally ever see a 12-year-old or anything holding a blowtorch or anything like that? The crucibles, I mean, a wonderful opportunity for people to see this type of artwork. For me, it's a great way to become a part of a community where people kind of understand the more industrial types of art. A lot of the arts have kind of moved away from this kind of um kind of work where it's down and dirty and like fire and hammers, and for me, it's what really gets me going. And so it's real exciting to be in a place like this. Often I think people don't see a lot of beauty in the things that they pick up, touch, hold, move every day, until they you know step back and see something that's actually been hand created. So many people are used to the idea of things in their environment coming from the store, and not having any idea of where they come from, what the processes are that were to make them. And so just to be exposed to that is it's an eye-opening experience, and it could just change your life like it did mine. Wood is one of the most basic materials. Uh traditionally, you know, it wouldn't take more than a handful of tools to do most furniture, and it was expected, it was even commonplace that every man would know how to do repairs around the home or uh perhaps build smaller, more simple pieces of furniture. It is sadly uh a uh part of uh our society that has uh quieted down quite a bit. I would argue that blacksmithing's not a dying art form. Um, and in fact, there's been more of a resurgence of um blacksmithing in the last 20 years in this country. Um, but there's a lot of new forms and a lot of new um uh a new visual and new aesthetic for blacksmithing that's more contemporary. Um it's harder, it's hard to make a living as a blacksmith because of um commercial production. Neon is kind of falling into the category of a lost art in that you simply can't pay Americans enough to do it. A lot of the neon that you find mass produced in places like a Walmart or a Target or something like that is made in China where the neon workers are paid maybe 15 or 20 cents a piece and doing well at that. Uh neon vendor here in the US can do I think probably fifteen dollars an hour is what it comes out to, which is not really very high pay for a for a good skill. So, in that sense, it is kind of a dying art. For the most part, I believe the education is going towards the three Rs of reading, writing, and arithmetic, and the trades are being pushed off on to other places. Machine shops are all going the way of computers, but to know how to calculate and machine something so precisely that um it fits another machined object perfectly is is it is kind of a lost art.