Speaker numbers apply only to this recording. Names come from transcript evidence. “Possibly” marks uncertain attribution.
The Public Art Steering Committee (PASC) met at 5:30 p.m. on October 27, 2026, in the Council Chambers at 955 School St., Napa. Staff presented the NatureCulture: Art in the Open program update, the Art in Parks FY2026-2027 project proposals, and general public art program updates. The committee approved the August 25, 2026 minutes and approved the four proposed Art in Parks projects. No public comment was offered.
Okay, we can call the meeting to order, please with roll call. Epic. Present. Anna for Murphy's absent uh Corolla Titus and Okay. Uh agenda review and supplemental reports. Yes, we have a PowerPoint for 6A, 6B, and 6C this evening. Thank you. And we are open for public comment if there's any comments by the public. Okay. Did everyone have a chance to review the minutes from August 25th? Any changes, supplements, approval, comments. Okay. If somebody would like to make a motion to approve the minutes for August 25th, 220. I'll make a motion to approve the minutes. Okay, all those in favor? Aye. Aye. All those in nay. Okay. All right, presentations. You said for PowerPoint A, B, and C, is that correct? Okay. So we can start with 6A, Nature Culture, Art in the Open Program Update. Right. Hello, I'm Sarah Winsky, Public Art Coordinator. I'm providing this first oral report on our temporary public art program, Nature Culture Art in the Open. A little reminder: Nature Culture is a temporary rotating exhibition series that invites artists to create site-responsive installations in parks across the city of Napa. These exhibitions investigate the interplay between ecology and art and promote new ways of seeing and being with both. An RFQ for this opportunity was open to artists located regionally in the Bay Area from May 1st to June 1st, and staff received 25 applications. So the finalists responded to the RFP request for proposals, and those proposals were again reviewed by the selection panel. And the selection panel recommended that we move forward in product each of the artworks related to each of those proposals. So the finalists from the RFQ and ultimately the selected artists are an artist team, Delia DeVert and Christy Moya, Mia Fewer, Packard Jennings, and Songmen Yu. The art selection panel was advised on a scoring criteria using a scale of one to five to score each proposal on artistic quality and originality, spite site specificity, environmental considerations, and feasibility. And they were each asked to provide a recommendation to either proceed with the proposal, to proceed with conditions, or to not recommend. Happy to report that all of the artists were recommended to proceed. Both artists are from Napa originally, grew up in Napa, and are brought together by their shared Chirikawa Apache Heritage. They believe in a better future and a healthier balance for our human relationships with nature, and in their artistic practice, are exploring ways that they can lessen the impact of modern lifestyles and individual choices. The basket that they propose is approximately five foot tall and between one and four foot in diameter. The artists have collected some of the following pieces of flora from the Oxbow Preserve, and they sent me a really lovely photo of California Bull Rush, which is taller than all of us in this room. And so they are working on drying that and preparing that for on-site weaving in March of 2027. It's located on the proposed location, is on site five, which is on the ADA paved pathway, and in our designated non-flooding areas of the Oxbow Preserve. And they plan to, as I said, weave on site and then also integrate some cyanotype photography done by Christie. The original proposal was to have cyan type ribbons attached to the basket, but based on feedback from the art selection panel, the artists are exploring other ways of incorporating that into the basket as yet to be determined. The next proposal is by Oakland-based artist Mia Fewar. Mia is a professor of sculpture at the California College of the Arts, and her practice involves questions surrounding ecology, climate change, and our relationship to the more than human world.