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Record of Proceedings

Napa Public Art Steering Committee Meeting Summary - October 27, 2026

City Council — Tuesday, October 27, 2026
BodyNapa, California
SessionCity Council
DateTuesday, October 27, 2026
StatusNEW · FILED
Video Record
0:00 / 47:58

Original source
Transcript — VerbatimClick a timed line to jump · ⧉ to share it

Speaker numbers apply only to this recording. Names come from transcript evidence. “Possibly” marks uncertain attribution.

Speaker 1

0:07

Okay, we can call the meeting to order, please with roll call.

Speaker 2

0:12

Epic.

Speaker 1

0:14

Present.

Speaker 2

0:14

Anna for Murphy's absent uh Corolla Titus and

Speaker 1

0:27

Okay.

0:28

Uh agenda review and supplemental reports.

0:31

Yes, we have

Speaker 3

0:32

a PowerPoint for 6A, 6B, and 6C this evening.

Speaker 1

0:39

Thank you.

0:42

And we are open for public comment if there's any comments by the public.

0:51

Okay.

0:52

Did everyone have a chance to review the minutes from August 25th?

0:58

Any changes, supplements, approval, comments.

1:07

Okay.

1:08

If somebody would like to make a motion to approve the minutes for August 25th, 220.

Speaker 4

1:13

I'll make a motion to approve the minutes.

Unassigned speaker

1:16

Okay,

Speaker 1

1:16

all those in favor?

1:18

Aye.

1:19

Aye.

1:20

All those in nay.

Speaker 5

1:22

Okay.

Speaker 1

1:24

All right, presentations.

Unassigned speaker

1:27

You

Speaker 1

1:27

said for PowerPoint A, B, and C, is that correct?

1:30

Okay.

1:31

So we can start with 6A, Nature Culture, Art in the Open Program Update.

Sarah Winsky · Speaker 6Inferred

1:44

Right.

1:44

Hello, I'm Sarah Winsky, Public Art Coordinator.

1:48

I'm providing this first oral report on our temporary public art program, Nature Culture Art in the Open.

Unassigned speaker

1:58

A little

Sarah Winsky · Speaker 6Inferred

1:58

reminder: Nature Culture is a temporary rotating exhibition series that invites artists to create site-responsive installations in parks across the city of Napa.

2:07

These exhibitions investigate the interplay between ecology and art and promote new ways of seeing and being with both.

2:15

An RFQ for this opportunity was open to artists located regionally in the Bay Area from May 1st to June 1st, and staff received 25 applications.

2:40

So the finalists responded to the RFP request for proposals, and those proposals were again reviewed by the selection panel.

2:49

And the selection panel recommended that we move forward in product each of the artworks related to each of those proposals.

2:58

So the finalists from the RFQ and ultimately the selected artists are an artist team, Delia DeVert and Christy Moya, Mia Fewer, Packard Jennings, and Songmen Yu.

3:10

The art selection panel was advised on a scoring criteria using a scale of one to five to score each proposal on artistic quality and originality, spite site specificity, environmental considerations, and feasibility.

3:27

And they were each asked to provide a recommendation to either proceed with the proposal, to proceed with conditions, or to not recommend.

3:37

Happy to report that all of the artists were recommended to proceed.

4:12

Both artists are from Napa originally, grew up in Napa, and are brought together by their shared Chirikawa Apache Heritage.

4:45

They believe in a better future and a healthier balance for our human relationships with nature, and in their artistic practice, are exploring ways that they can lessen the impact of modern lifestyles and individual choices.

Unassigned speaker

5:00

The basket that they propose is approximately five foot tall and between one and four foot in diameter.

Sarah Winsky · Speaker 6Inferred

5:06

The artists have collected some of the following pieces of flora from the Oxbow Preserve, and they sent me a really lovely photo of California Bull Rush, which is taller than all of us in this room.

5:24

And so they are working on drying that and preparing that for on-site weaving in March of 2027.

5:32

It's located on the proposed location, is on site five, which is on the ADA paved pathway, and in our designated non-flooding areas of the Oxbow Preserve.

5:44

And they plan to, as I said, weave on site and then also integrate some cyanotype photography done by Christie.

5:54

The original proposal was to have cyan type ribbons attached to the basket, but based on feedback from the art selection panel, the artists are exploring other ways of incorporating that into the basket as yet to be determined.

6:13

The next proposal is by Oakland-based artist Mia Fewar.

6:18

Mia is a professor of sculpture at the California College of the Arts, and her practice involves questions surrounding ecology, climate change, and our relationship to the more than human world.

6:30

She's previously worked in extreme and fragile environments like the Alberta tar sand strip mines and the Arctic archipelago.

6:38

And her approach focuses on site specific research.

6:44

So the artwork that Mia proposes is called blending.

6:49

Blending depicts is a sculpture depicting three children in the process of becoming three species associated with the Napa River a steelhead trout, a belted kingfisher, and a caddis fly.

7:03

Each child is engaged in a form of habitat making.

7:06

Rosie shapes the gravel into trout reds.

7:10

Galileo dives towards the opening of an earthen kingfisher nesting bank, and Joe emerges from a pebble covered cattisly case while continuing to build it.

7:20

Together, the three figures construct a shared ecology while remaining physically and materially distinct.

Unassigned speaker

7:26

The

Sarah Winsky · Speaker 6Inferred

7:26

sculpture explores transformation, kinship, and the porous boundaries between human and animal, nature and culture, identity, individual identity, and family.

Discussion Breakdown — Share of Meeting
Public Art█████████████████████████████████████████████85%
Mental Health Awareness████8%
Procedural██4%
Parks and Recreation██3%
Summary of Proceedings

Napa Public Art Steering Committee Meeting - October 27, 2026

The Public Art Steering Committee (PASC) met at 5:30 p.m. on October 27, 2026, in the Council Chambers at 955 School St., Napa. Staff presented the NatureCulture: Art in the Open program update, the Art in Parks FY2026-2027 project proposals, and general public art program updates. The committee approved the August 25, 2026 minutes and approved the four proposed Art in Parks projects. No public comment was offered.

Approval of Minutes

  • PASC unanimously approved the August 25, 2026 regular meeting minutes as submitted.

Public Comments & Testimony

  • No members of the public spoke during the public comment period.

NatureCulture: Art in the Open - Program Update

  • Sarah Winski, Public Art Coordinator, presented this informational item. NatureCulture is a two-year rotating temporary art exhibition series at the Oxbow Preserve; the inaugural edition is called Art in the Open.
  • According to the staff report, the RFQ for Bay Area artists ran May 1 through June 7, 2026, and 25 applications were received. The oral report said the RFQ ran through June 1, creating a minor discrepancy.
  • An Art Selection Panel reviewed proposals on a 1-5 scale for artistic quality and originality, site specificity, environmental considerations, and feasibility. The panel recommended that all four selected artists proceed.
  • Selected artists and proposals: Delia deVer and Kristi Moya, Napa-raised artists with Chiricahua Apache heritage, proposed a woven basket of local flora at site 5 with on-site weaving in March 2027; Mia Feuer proposed "Blending," a roughly six-foot-tall sculpture of three children becoming a steelhead trout, belted kingfisher, and caddis fly on site 2; Packard Jennings proposed a reimagined triumphal column reduced from 32 feet to about 16 feet to avoid creating an osprey nesting or habitat-removal issue; and Seongmin Yoo proposed a monumental woven nest with three deer as a "doorway to the underworld."
  • All installations will be along the ADA paved pathway in non-flooding areas of the Oxbow Preserve. Installation is planned for completion by March 2027. The program budget is approximately $30,000 from the General Fund, not the Public Art Fund.
  • In discussion, a committee member noted a separate indigenous cradle basket project at Oxbow Commons led by Lowell Downey; staff said the projects are separate but complementary and may have aligned timing. Committee members encouraged staff to publicize the on-site weaving and consider school or community engagement opportunities. Staff noted the selection panel had requested good signage and an audio guide for each artwork.

Art in Parks - Project Proposals FY2026-2027

  • Winski presented four proposed projects. City Council confirmed PASC's earlier recommendations on June 5, 2026, including $60,000 for sculpture in FY2026-2027, $60,000 for sculpture in FY2027-2028, $55,000 for park amenities, and $75,000 for land/sound art. The recommended $20,000 for the Nimbus Arts Stone Stacking project would reduce the available sculpture budget for new proposals to $40,000.
  • The proposed projects were:
    • Artistic bike racks: up to three artist-designed racks at Fuller, Laurel, and Westwood Hills; $30,000.
    • Interpretive art panels: local flora and fauna illustrations for existing message boards at Fuller, Alston, and Westwood Hills; $5,000.
    • Artistic benches: up to two benches at Fuller, Monarch, or O'Brien Park; $20,000.
    • Functional/thematic sculptures: up to three sculptures at Monarch, Westwood Hills, and Kennedy Park; $40,000.
  • Committee members broadly supported the proposals, praised the park choices, and liked the functional art component. One member suggested leaning away from Fuller Park because it recently received playable art; staff explained Fuller was recommended because of an upcoming bathroom renovation and new pathway and interpretive area near the Rose Garden, and said the feedback would be considered. Another member countered that all parks are equally important and that Fuller serves non-child constituencies.
  • The committee moved, seconded, and approved the four new projects for FY2026-2027 and supported staff efforts to continue planning. The motion carried by voice vote with no opposing votes.

General Public Art Program Updates

  • Vianne De Santiago, Public Art Intern, presented the oral program updates.
  • The "Napa Tapestry" by Danielle Davis is fully installed along 2nd Street ending at Main Street's pedestrian scramble. Its patterns are based on traditional textiles from six groups who shaped Napa, as listed in the oral report: Wappo, Swift, Chinese, German, Mexican, and Italian.
  • Día de los Muertos street banners are up on 2nd and Main Streets, with 12 new banners plus 16 from last year, 28 in total. The Napa Día de los Muertos festival is scheduled for November 7 from 3:00 to 8:00 p.m. Lowrider car altars are returning, with an expanded area on Brown Street including a small stage and bathrooms.
  • Two public art walking tours are scheduled: November 10, 9:30-10:30 a.m., focused on Circulation/Weavers with about a 1.5-mile walk, and December 5, 12:00-1:00 p.m., focused on the 2nd Street Art Corridor.
  • Volunteers Bob and Ruben Zomke began sanding and re-oiling the "Meandering Redwood" bench at Oxbow Preserve as part of their annual volunteer maintenance.
  • Committee comments: the chair praised the bump-outs and pedestrian scramble but shared public comments that the white bollards can look dull and that surfaces can appear dirty; she suggested exploring coatings to more closely approximate the original thermoplastic design and improve cleanability. Another member said the bollards are a safety feature but may be the least attractive element. Members also praised the fifth year of Día de los Muertos, the marketing of public art tours, and the diversity of community celebrations.

Key Outcomes

  • The August 25, 2026 minutes were approved unanimously.
  • The four Art in Parks FY2026-2027 projects - artistic bike racks, interpretive art panels, artistic benches, and functional/thematic sculptures - were approved. Staff will continue planning and plan to return with draft RFQs in early 2027 and publish RFQs in spring 2027.
  • The NatureCulture update was received as information; no formal action was taken. Staff will complete artist agreements and installation by March 2027 and will consider ways to publicize on-site art-making.
  • The next regular PASC meeting is scheduled for Tuesday, December 22, 2026, at 5:30 p.m.

Meeting Transcript

Okay, we can call the meeting to order, please with roll call. Epic. Present. Anna for Murphy's absent uh Corolla Titus and Okay. Uh agenda review and supplemental reports. Yes, we have a PowerPoint for 6A, 6B, and 6C this evening. Thank you. And we are open for public comment if there's any comments by the public. Okay. Did everyone have a chance to review the minutes from August 25th? Any changes, supplements, approval, comments. Okay. If somebody would like to make a motion to approve the minutes for August 25th, 220. I'll make a motion to approve the minutes. Okay, all those in favor? Aye. Aye. All those in nay. Okay. All right, presentations. You said for PowerPoint A, B, and C, is that correct? Okay. So we can start with 6A, Nature Culture, Art in the Open Program Update. Right. Hello, I'm Sarah Winsky, Public Art Coordinator. I'm providing this first oral report on our temporary public art program, Nature Culture Art in the Open. A little reminder: Nature Culture is a temporary rotating exhibition series that invites artists to create site-responsive installations in parks across the city of Napa. These exhibitions investigate the interplay between ecology and art and promote new ways of seeing and being with both. An RFQ for this opportunity was open to artists located regionally in the Bay Area from May 1st to June 1st, and staff received 25 applications. So the finalists responded to the RFP request for proposals, and those proposals were again reviewed by the selection panel. And the selection panel recommended that we move forward in product each of the artworks related to each of those proposals. So the finalists from the RFQ and ultimately the selected artists are an artist team, Delia DeVert and Christy Moya, Mia Fewer, Packard Jennings, and Songmen Yu. The art selection panel was advised on a scoring criteria using a scale of one to five to score each proposal on artistic quality and originality, spite site specificity, environmental considerations, and feasibility. And they were each asked to provide a recommendation to either proceed with the proposal, to proceed with conditions, or to not recommend. Happy to report that all of the artists were recommended to proceed. Both artists are from Napa originally, grew up in Napa, and are brought together by their shared Chirikawa Apache Heritage. They believe in a better future and a healthier balance for our human relationships with nature, and in their artistic practice, are exploring ways that they can lessen the impact of modern lifestyles and individual choices. The basket that they propose is approximately five foot tall and between one and four foot in diameter. The artists have collected some of the following pieces of flora from the Oxbow Preserve, and they sent me a really lovely photo of California Bull Rush, which is taller than all of us in this room. And so they are working on drying that and preparing that for on-site weaving in March of 2027. It's located on the proposed location, is on site five, which is on the ADA paved pathway, and in our designated non-flooding areas of the Oxbow Preserve. And they plan to, as I said, weave on site and then also integrate some cyanotype photography done by Christie. The original proposal was to have cyan type ribbons attached to the basket, but based on feedback from the art selection panel, the artists are exploring other ways of incorporating that into the basket as yet to be determined. The next proposal is by Oakland-based artist Mia Fewar. Mia is a professor of sculpture at the California College of the Arts, and her practice involves questions surrounding ecology, climate change, and our relationship to the more than human world.

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